London, 2009

In this piece, I was impressed by the care with which a erson has built, in a basic way, a compartment for 20 keys of 20 different watches. The fortuitous closeness between them produces a soft and slight tinkle, endowing them with autonomous musical capacity. In addition, the placement by numbers, prints “order and concert”. Thus, the only key that is not found, “rings for its absence.”

Classification
Sculpture

Dimensions
4.1 x 16.9 x 1.9 in

Subject
Interiors, Music, Time

Styles
Conceptual, Minimalism

Materials
Wood, Metal, Found Object